Showing posts with label singapore. Show all posts
Showing posts with label singapore. Show all posts

Saturday, February 27, 2010

ทัวร์ สิงคโปร์ (Singapore Tour)


แพคเกจ ทัวร์สิงคโปร์ - Singapore Package Tour from Bangkok
เที่ยว สิงคโปร์ ในแบบของคุณ - สิงคโปร์แพคเกจ - บริการ แพคเกจ ทัวร์ สิงคโปร์ จองโรงแรม สิงคโปร์ ตั๋วเครื่องบิน ทัวร์สิงคโปร์ ราคาถูก และ ...
www.singaporepackage.com/

ทัวร์สิงคโปร์ (แพ็คเกจทัวร์สิงคโปร์) : บริษัททัวร์ พา ทัวร์ต่าง ...
บริการ แพ็คเกจทัวร์สิงคโปร์ราคาพิเศษตลอดปี ถูกสุดๆ พบ ทัวร์สิงคโปร์ (Singapore Package Tour) เที่ยวโปรแกรมใหม่ๆ ชิมอาหาร และข้อมูลท่องเที่ยวดีๆ.
www.thaifly.com › หน้าหลัก › ทัวร์ในและต่างประเทศ

ทัวร์ สิงคโปร์ (Singapore Tour)


http://images.google.co.th/images?hl=th&q=ทัวร์สิงคโปร์&um=1&ie=UTF-8&sa=N&tab=wi

ทัวร์เอ็กซ์เพรส เซ็นเตอร์
แขวงจันทรเกษม 330 ซอยรัชดาภิเษก 32 เขตจตุจักร กรุงเทพ 10900‎ - 02-930 7606‎

บริษัท เอเซียฮอลิเดย์เซอร์วิสเซส จำกัด
หมู่ที่ 4 99/77 เขตสายไหม กรุงเทพมหานคร 10210‎ - 02-153 0808‎

Thaifly Travel Co., Ltd.
Central City Tower, 15th Floor, Bangna, กรุงเทพมหานคร 10260‎ - 089-7713149‎

Mileage Air And Travel Company Limited
Soi Wat Chan Nai Charoen Krung 107 Rd., Bang Khlo, Bangkok - 02-291 9598‎

บริษัท ทราเวิล ยู จำกัด
อาคารสิทธิวรกิจ ชั้น 8 5 ซอยพิพัฒน์ ถนนสีลม เขตบางรัก กรุงเทพ 10500‎ - 02-667 0139‎


ดูแผนที่ขนาดใหญ่ขึ้น

Asia Holiday ทัวร์สิงคโปร์ ท่องเที่ยวสิงคโปร์ เที่ยว สิงคโปร์ ...
บริษัท ทัวร์ เอเซียฮอลิเดย์ ทัวร์สิงคโปร์ บริการนำเที่ยว สิงคโปร์ สัมมนา ดูงาน จองตั๋วเครื่องบิน แพคเกจทัวร์ ทัวร์หมู่คณะ ทัวร์ กรุ๊ปทัวร์ กรุ๊ปเหมา ...
www.asiaholiday.co.th/travel_zone/.../singapore_tour.html

ทัวร์สิงคโปร์ เที่ยวสิงคโปร์ บริษัททัวร์สิงคโปร์ ...
เที่ยว ประเทศสิงคโปร์ กับ ทัวร์สิงคโปร์ ราคาประหยัด เดินทางได้ตลอดทุกเดือน กับโปรแกรมทัวร์เที่ยวสิงคโปร์ หรือ จะเป็น สิงคโปร์ควบมาเลเซีย ...
www.thaitravelcenter.com/th/tour/spklist.asp?ptype=22

ทัวร์สิงคโปร์ ทัวร์ต่างประเทศ แพคเกจทัวร์ ( ทัวร์ ): โดย บริษัท ...
ทัวร์ สิงคโปร์, เที่ยวสิงคโปร์: ทัวร์สิงคโปร์ แพคเกจทัวร์สิงคโปร์ ข้อมูล ท่องเที่ยวสิงคโปร์ แพคเกจทัวร์ ประเทศสิงคโปร์ ทัวร์สิงคโปร์ราคาถูก ...
www.etravelway.com/package06_th.asp

ทัวร์สิงคโปร์ Singapore Holiday บริษัททัวร์สิงคโปร์ ทัวร์สิงคโปร์ ...
ทัวร์สิงคโปร์ Singapore Holiday บริษัททัวร์สิงคโปร์ ทัวร์สิงคโปร์ ทัวร์ต่างประเทศ โดย Asia Holiday.
singaporetours.asiaholidayservices.com/

ทัวร์สิงคโปร์ สิงโตพ่นน้ำ ทัวร์สิงคโปร์ ถนนออชาด ช๊อปปิ้งสิงคโปร์ ...
ทัวร์ สิงค์โปร์. รหัสสินค้า : 000009. แพ็คเก็จทัวร์สิงคโปร์ 3วัน2คืน ออกเดินทางอิสระได้ทุกวัน...เดินทางโดยสายการบิน Singaproe Airlines (SQ. ...
riothai.tarad.com/product-th-373891-ทัวร์สิงคโปร์.html

http://www.google.co.th/search?hl=th&q=ทัวร์สิงคโปร์&meta=&aq=f&aqi=g10&aql=&oq=&gs_rfai=

Wednesday, May 6, 2009

Urban Afflictions. An Interview with Hilary Sample (Part Two)


Urban outbreaks: SARS 2003

Urban outbreaks: A/H1N1 2009

Following up on our interview with Hilary Sample on the subject of global health crises in urban contexts, we've moved from the backdrop of her research and the specific responses she's studied to a more speculative perspective on the issue. If you haven't read the first part, scroll down or click here.

Where: You've identified a combined research/corporate drive behind the Biomed City phenomenon (those of you who haven’t, go download and read Hilary’s short essay on the BMC here). Due to current political and economic events, we see a tendency towards a heavier and more direct government involvement (particularly in the U.S., but in other places as well) in the different areas that are the backdrop for BMCs: economic policy, health care and infrastructural development. Do you see this affecting the nature of the BMC? For the good or for the bad?

Hilary Sample: We can look to Singapore as an example of the government-driven development, specifically in the Biopolis project. The masterplan was designed by Zaha Hadid, which had an extensive landscape and programmatically included a lot of public functions, along with connection to the subway system-extending it into the Biopolis. Subsequently not much of the public components have been built, but the project continues to grow with frequent announcements of new corporations renting space. It is a private interest project supported by the government. Singapore’s government does not place any restrictions on scientists working with stem cells, and this is one factor driving the brain gain and science boom in Singapore. Interestingly, universities such as Johns Hopkins, which have space problems at their campus rent space in the Biopolis. In this case, we see branding of health taking on new structures.

In the United States, it seems difficult to think that the private sector would begin to support innovation in terms of adopting a clear social agenda with respect to urban health development, even though there are tremendous needs and opportunities to rethink the way our cities could function with respect to health. The current moment does seem like an opportunity for government action, not only in terms of providing access to a better health care system, but for a complete reframing of the idea of health, at least in this country.

I think this could be supported by both Federal and city governments and inspire private developments. In my opinion, we need radical change in the way health care is promoted and in the physical spaces in which treatments and care are given. I’m interested in how architects and designers can rethink the city as we know it and develop new systems and forms that are civic, not just expanding the existing hospital building by adding to it. The image of the hospital from what it used to be has become unrecognizable. Hospitals are often referred to as cities in their own right, but in my opinion, they take the worst situations from cities as their examples. We need new paradigms, especially with the super hospital being developed as a mega-scaled building.

Biopolis, Singapore

W: Another revealing aspect here is the geoeconomic breach one perceives between "prepared" and "unprepared" cities. With the exception of China, maybe, BMCs are apparently limited to developed countries. At the same time, the cities that are most vulnerable and more exposed to health threats of this nature are those in underdeveloped countries. What do you think?

HS: Largely, I believe this is true; we have a huge division between prepared and unprepared cities. But the idea that Third-World cities are always unprepared or that First-World cities are prepared isn’t always the case. The SARS outbreaks showed us this exact problem. For instance, Hanoi — one of the poorest and least developed cities in terms of urban health developments — actually had one of the best responses to the SARS epidemic. It was the first city to get a hold on the spread of the virus. They basically did this by isolating all SARS patients to two hospitals on the outskirts of the city. In Beijing we saw the construction of a hospital in 8 days.

I wouldn’t say it is a regional trend, but in this one instance it shows that at a local level spatial practices worked well. I don’t think we can say it is an either or situation. The SARS virus was identified through the collaboration between many scientists in many different countries. The virus itself spread quickly, but so did the effort of scientists to find an answer, which relied on a spatial network of laboratories and governing agencies. The spatial organization of both are extremely important.

W: Do you think a different version of the BMC could arise in cities that don't have the funds or the resources to build huge hospitals and research centers? Maybe one that opts for networked, flexible, mobile infrastructures that could be deployed whenever and wherever needed, including the poorer cities of the South?

HS: This has been the subject of a graduate research seminar I taught at Yale called Design and Disease. An amazing feature of our interconnected world is that we are learning more and more about situations of impoverishment, poor health, and the lack of establishing life-sustaining infrastructures.

In the seminar, the students made a kind of index of building types in cities around the world, looking at hospitals from Hong Kong to Soweto, pharmaceutical companies (Roche vs. Novartis in Zurich) and the performance of architecture.

One of the most surprising instances we learned about is in Soweto. The Bara Hospital sees more than 2000 patients a day, with a large population of AIDS/HIV patients. It claims to be the largest hospital in the world, but this is a hospital that has been built within an aging British Army barracks, and in the context of limited access to resources, including electricity. Here a complementary support system would be a good option to support what little infrastructure and physically working buildings there are. So maybe flexible and mobile structures are more economical or efficient when you have nothing better, but really what all cities need are both permanent and mobile health support.

New York City is an example that has both some of the leading hospitals in the world, but also significant mobile infrastructures, from asthma vans to PODS (points of dispensing systems in the event of an epidemic). It’s significant that cities with permanent, large-scale buildings also have equally and burgeoning mobile systems, suggesting that both are truly needed. But how can we make these decisions as designers? In my opinion, it all comes back to the practice of understanding how cities perform at the most detailed level, and examining the diseased city is essential. Mapping activities of urban disease is essential.

Baragwanath Hospital, Soweto, South Africa

W: This last outbreak in Mexico generated an enormous amount of activity on the Web: everything that we’re starting to grow used to now (real-time reporting on Twitter, constant updates on Google News and recommendations delivered directly from institutional web pages) but also some fascinating tools we really hadn’t seen before (I’m thinking of the Google Flu Trends project). Do you think we will see more alert systems, diagnostic means, protocols, open-source and web-based strategies in the future, or, we could say, a “smarter” response strategy?

HS: We see scientists working with a kind of virtual epidemiology, and they’re doing this more than any designer or spatial planner. For instance, I have a case in mind in which researchers studied a hypothetical outbreak of smallpox in Portland, Oregon, trying to identify social trends in an urban disease situation. The study included specific maps of the transportation infrastructure, and looked at how people moved in the city. This is an extraordinary spatial analysis that would be a powerful tool for architects, planners, and designers. Portland is a city that has made interesting urban decisions tied with how to better access its health-care infrastructure, including the Portland Aerial Tram designed by AGPS.

By comparison, there are actually very few studies or projects that I have seen looking at the contagious disease in cities by designers. I can think of two important works that shed light on the SARS outbreaks. The first is the “SARS Atlas” by Fabrizio Gallanti and Francisca Insulza published by Domus in 2004, which indexically mapped disease hot spots in cities. The other is Julie Rose’s essay in Log, a description of the urban spatial shifts that SARS produced in Hong Kong.

The spatial and social consequences of a disease reveal the performance of a given city. With the recent 2009A/H1N1 outbreak, just five years after the SARS outbreak, it seems likely that we are going to see more frequent events of this kind. In the end, if hospitals fail in an actual emergency, then suddenly subways are empty, people are in their cars or at their family’s house in the suburb, the city fails, the economy fails and it takes years to recover. The way we design our buildings and cities should be rethought to include social spaces that work.

W: This last question is probably more abstract (even emotional), but I think it's just as relevant in terms of spatial effects. I would like to discuss this recurring issue of fear, not only in terms of the outbreaks themselves, but regarding measures taken to deal with crises as well. You mentioned something about this regarding the resistance some of these public health projects have met in cities. It’s interesting to see how these developments might generate suspicion in themselves and cause a stir, like a high-security prison or a nuclear plant probably would.

There is also a whiff of mid-century paranoia about the whole situation, the fear of the looming dangers of density and the city core (you mentioned that many of the projects are built in secluded and distant locations). In Mexico City lots of people actually fled for cities nearby over the weekend when the crisis was announced. What do you think of all this?

HS: There is no question that fear, like the virus, is an epidemic. And it does seem like urban disasters are on the rise, Katrina, SARS, 9/11. There are patterns that we can now begin to study and understand, which would in turn affect the way we design both buildings and cities. In general there are two trends emerging regarding what we’ve been discussing here:

First, the building-up of the urban core with super hospitals and biosafety labs, new transit connections between these centers, and the location of research laboratories within the city rather in remote suburban parks. In the U.S. many developers in the sector are abandoning the model of suburban corporate park in favor of building in the city. Some cities have begun to build their own biosafety labs. Some of these laboratories test deadly viruses, like the Boston case we mentioned before. Ultimately, it winds up being housed in a non-descript building sited within a hospital district, but the surrounding neighborhood is considered to be a low-income area. This raised many questions at the time of its construction.

The second trend, which we see mostly in South East Asia, is the building of remote hospitals, far from the city core, with architectural renderings that show them surrounded by green spaces.

In the end, both of these urban strategies are driven by fear.

It isn’t surprising that people fled from Mexico City; this was the same reaction in Beijing during the SARS outbreaks. How people react to crisis is unpredictable, and so, at least for designers, it seems we can only study what has already occurred. Again, here I think that the most significant spatial studies are being developed by scientists or artists, not architects or planners.

In 2005, researchers Nina Fefferman and Eric Lofgren, examined the video game "World of Warcraft” and the introduction of a virtual virus within a controlled environment. The virtual virus quickly and unexpectedly corrupted the virtual world, and learned that there were many similarities between the virtual and real life scenarios.

Christain Nold, an artist, has been working on a bio-mapping project that tests emotional responses of individuals in urban contexts. These studies result in maps that give us a whole new geographic perspective of the city. What I appreciate about this study is that we see a range of emotional responses that correspond directly to the built environment. Again here there are lessons to be learned about the performance of our constructed environments.

Protest against biosafety lab, Boston

W: Thank you so much Hilary, it’s been great talking to you! I think we’ve covered a pretty good spectrum. Now let’s hope our Where readers out there have more to add to the discussion.


(Maps courtesy of Hilary Sample. Photo from Flickr users askpang, srippon, and steph ps. The original full-sized color version can be viewed by clicking the photo.)

Wednesday, September 26, 2007

Empty Cities

Speaking of Singapore (as I was earlier today), the August/September 2007 issue of Polar Inertia features a series of photographs of momentarily abandoned commercial spaces taken throughout the island metropolis by Heman Chong. As the photographer explains: "The idea for this series is to document shops in shopping malls in Singapore at moments when they are completely empty. The eerie emptyness presented in the photos is a spectulative essay on the fantasy of walking through shopping malls and not encountering anyone. This photographs are taken without any prior consent from the owners or any kind of setup or planning. Considering the density of the city (4.5 million citizens on a really small island full of shopaholics), its practically an impossible feat at times."

The photos in "The Abandoned Singapore," as the set is titled, really do a wonderful job of capturing a very eerie, almost post-apocalyptic feel. After three or four pics, you start to feel uneasy...somewhere around ten or twelve, a shiver runs down your spine. By the time you reach the supermarket image above, you'll want to look out your window just to make sure that there are still people walking around; that you haven't woken up on a deserted planet.

That feeling reminded me of a post at Interactive Architecture dot Org that I read earlier today about digital architecture and "information pollution" (you would think there'd be a convenient portmanteau there...I've tried, though, and nothing quite rings true). The post made mention of the now near-legendary law passed at the beginning of this year in São Paulo which banned all advertising -- or what the mayor called "visual pollution" (much less interesting term, that) -- from the city's notoriously cluttered streetscape. IAdotO explained how "the city of approximately eleven million people, South America’s largest, awoke to find a ban on public advertising. Every billboard, every neon sign, every bus kiosk ad and even the Goodyear blimp were suddenly illegal."

I am thoroughly bemused with the way this event has been described in the media (where I'm guessing IAdotO picked up the language), as that is at least the fourth or fifth time I've seen the word "awoke" used in referrence to the day the law went into effect. Paulistanos were apparently came home after a night out celebrating the new year and were lulled to sleep by the buzzing of a thousand tubes of neon and argon, their rooms glowing dimly from the ambient light of a million backlit fiberglass logos filtering through the thin curtains...only to awake the next morning to find that the sinage had simply disappeared. Ad Rapture!! Millions of golden arches and blue half-torn movie tickets and silver apples snatched up into the clouds in a blast of white light, never to be seen again (or at least not until they land in a tech dump in Guiyu). É impossível!

My brain is wandering now, because it's late...but isn't that a fantastic image? I really do love it.

We end tonight with a more tangible image from another set from Polar Inertia; the zine has a compillation of photo collections from the LA/SoCal area, including a set from March of 2006 called "Oblivion." Photographer David Maisel depicts Los Angeles in unnerving inverted black and white. It gives the city a sort of desolate, alien appearance...and it's gorgeous. Maybe this is how LA was supposed to be viewed all along...



Links:
Polar Inertia
- The Abandoned Singapore
- Oblivion

MediaArchitecture - Media Urbanism (IAdotO) (Oh, do read this one! I sort of did it a disservice by pulling one tiny, irrelevant detail from a very solid post, so I am counterbalancing that by insisting that you follow this link).

Framing Urbanism

Anyone who lives in a city is a student of urbanism. We have the choice of whether or not to pay attention to the lessons we are being taught, but they are taught either way. Every day of living in a city is a chance to learn about how the place works. So it helps to have a way of organizing the observation process.

That being said, I came across an organizational tatic of which I am particularly fond recently on re:ACT, a blog run by a dozen architecture students in Singapore. Ronald Lim, one of the re:ACT bloggers, put up a post entitled "My Wishlist for Architecture in Singapore." It's short (five items), practical, and the objective is very clear even without being directly stated. That objective is to make Singapore into a more architecturally conscious city, to improve the quality of the buildings being designed there by improving public awareness of architecture and design. Lim calls for an architecture and design department at the Singapore Art Museum, an annual competition similar to PS1 or the Serpentine Gallery, and an interesting set of tax incentives (among other things).

The benefit of having such a list, as an individual observer of a specific city, is that a person can identify what it is they are looking for in terms of an area's strengths and weaknesses. It's a framing technique, really. But a wishlist is especially helpful, I think, because it gives a person something to look for when visiting other cities. Even more than framing how one sees one's own city or even one's neighborhood, it frames how one approaches the urban form in general. This is beneficial because it allows the observer to absorb information from one place and take it home with them, using it to enrich their own city.

I've always thought it'd be really interesting to see a neighborhood group do this kind of thing, collectively. The common perception of the Neighborhood Association or Block Group is that of a stodgy, reactionary coalition of anti-growth crumudgeons with pickett signs and way too much time on their hands. Rather than hearing moaning and groaning about the death of a neighborhood's precious, precious character every time someone so much as proposes to trim their hedges, it'd be fascinating to see how a group might impact their community by identifying what defined the character that they were trying to preserve and coming up with a wishlist of ways in which that character could be strengthened and enhanced, and maybe even improved. Imagine a neighborhood group that actually courted developers to help achieve their goals of enhancing the architectural character of a neighborhood, welcoming and even helping to speed a long the process of approval for a new building in exchange for architectural sensitivity and some streetscaping improvements.

I wouldn't be surprised, actually, to hear that this has been or is being done. In fact it would be great to hear stories of this kind of thing; a neighborhood threatened by the dreaded gentrification beast working with developers instead of against them. I wonder how that works out...are the neighbors better off in the end, or do they wind up getting screwed over time? I'd be willing to bet on the former, but I'm open to arguments for the latter...

***

By the way -- while we're on the topic of taking observing what other cities are doing right when traveling, if you haven't heard of Civic Tourism yet, check out the link below. It's a great concept, and it seems like the kind of thing that could really give some extra oomph to your next urban vacation.

(Photo from Flickr user Erik Sevilla Estrada.)


Links:
My Wishlist for Architecture in Singapore (re:ACT)

Civic Tourism

Friday, June 15, 2007

Urban Dreamscapes


I've been contemplating the idea of dreamscapes a lot lately and wondering how they relate to the existing urban environment. There isn't really an established idea, culturally speaking, of what a dreamscape is, so the topic is fairly malleable. The official definition explains the dreamscape as "a dreamlike, often surrealistic scene," though I think that refers more to paintings and other artwork. I'm more interested in how the same ideas used by the fine arts crowd manifest themselves in the designed urban environment.

Urban design and architecture are perhaps the most relevant artforms, in terms of daily life. This is by no means a knock against the fine arts, but it is an inarguable truth that buildings and city plans are works of art that we encounter and interact with almost constantly. The downside of this is that, through their relevance, buildings and neighborhoods become incredibly mundane, far moreso than a painting or drawing ever could. So to find a dreamlike or surrealistic scene in your immedeate surroundings is next to impossible, because even intentional dreamscapes become so common as to be taken for granted.

Take, for example, Lincoln Park in Chicago. The Windy City is notoriously flat. Yet along the lakefront north of downtown, where the landscape should be at its most elevation-challenged, you will find gently rolling hills covered in grass, trees and, of course, statuary. This geological aberration is by design, planned out by landscape architect Ossian Simonds in the 1860s. Simonds followed Prairie Style design maxims that led him to carve out a whimsical dreamscape in a no-nonsense city that valued right angles and evenly-distributed commercial districts. Chicago is still one of the most utilitarian cities you'll find in on Earth (in terms of layout), but over time the curvaceous landscape of Lincoln Park has become an accepted fact of the urban environment that fails to surprise as, assumedly, it once did.

Cities are rife with these forgotten urban dreamscapes; places that used to thrill and excite now serve as pleasant surroundings for pedestrians and joggers. The ironic thing about dreamscapes is that, while those that are created become unremarkable, some of the most unremarkable places by design can be infused with intense meaning and mythical importance in an urban environment teeming with people. I read this week about a project in Singapore that aims to "build a collective memory of the magical spaces in [that city]." They describe a magical space as "a place that holds memories and emotional treasures. It could be ANY place, ANY where." This concept takes the idea of a dreamscape and tweaks it a bit. A magical space is a place that is dreamlike or surreal because of a personal experience, not a careful design. This is the sort of idea that reinforces the "cities are places for people" way of thinking; approaching the city as a place filled with tiny, almost imperceptible magical spaces transforms even the most annonymous of neighborhoods into dreamscapes filled with emotional artifacts and spiritual alcoves.

A post by the L-Arch geeks over at Pruned provides an important piece of my frame of reference, here. After accidentally typing "Utak" into their Google Maps search for Utah, Pruned discovered a landscape in a practically uninhabited area of Russia dotted with long strings of mysterious horseshoe-shaped mounds. Their reaction? "Lest someone tell us that they are simply defensive fortifications or ordinance storage bunkers or outdated meteorological instruments or the beta test site of Bush-Putin's Transcaucasian missile shield or Michael Heizer's Complex Four or ancient auroral observatories -- don't! Better to speculate than to be told the truth, right?"

In the end, this seems to sum up, better than anything I can think of, why exploring urban environments is so exciting. When we walk around new neighborhoods or in new cities, we are promised nothing but the unexpected. Even if a place seems familiar, it is completely new. Even if we find nothing odd or abnormal or even terribly interesting, everything corner we turn has the potential to shock and awe us. And if we are lucky enough to find some strange, magical place -- if we do manage to stumble upon a real, honest-to-goodness dreamscape -- isn't it better to speculate than to be told the truth?

(Photo from Flickr user evanembee.)


Links:
The Magical Spaces Project (Five Foot Way)

Uta(h)(k) (Pruned)